Friday 20 November 2009

Taking Briliant Photos of birds.

Birds have been one of the greatest subject for photographers for centuries because they have an inspiring beauty and mystify us with their gift of flight and diversity. When it comes to photographing birds and their behavior, capturing on film will add a huge visual impact and feeling to any picture. There are various places where birds gather, but really the best place where you may start to what is your backyard. The thing about birds is that they are busy little body and a bird feeder in the garden is a great place to take a photo when they are food or the bird in the air ready to jump one of the birds currently feeding.

When you venture outside your backyard to find birds to photograph your car may just become your newest piece of equipment. Birds see our cars less of a threat then a person with a long focal length under their arms. A vehicle is a big blind and, with that patience is a virtue. When you find a place as a prime feeding ground, a small park a ways from him and stop your engine to reduce noise to scare them in May.

Standard, wide angle and short zoom lenses can be used to shoot birds, but for serious bird photography, a quality of 500 mm or 600 mm telephoto lens is ideal.

Please keep in mind to avoid any situation that may focus on birds and their surroundings. If you notice a bird is showing all kinds of stress, this means that there is a nest or chicks nearby. Any photos must be taken more disconnected and you must leave the immediate area. As a photographer of birds or any wild animal, it is good to remember not to put ourselves or the birds around us in any danger.

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How to take perfect landscape photos

Be one with the Land.

Buyers and collectors have accepted photography as art for some time, but only if it's artistic value. Great landscape photography sells because the buyer is looking for escape and the need to dream. As a species, we have always been linked and drawn to the landscape. Do you have a love for the countryside and an understanding of landscape?

When you're out in the open air, away from the hustle, what do you ...

... Sunlight filtering through trees and dancing on the landscape?

... snow on the mountains and a gushing river in full flow?

... coastal cliffs of the shimmering sea lapping on the shore?

... a brooding sky casting a spell on the moors swept by the wind?

... the warm glow of the sunset at the end of the day?

... or mists and changing patterns of wind, clouds and magical light?

Do you see the beauty and feel the connection?

To produce a beautiful landscape picture you must understand the countryside and how light affects it. You must have a passion for the land and experience an intimate connection with nature. The best way to achieve this is to explore an area on foot and become part of the landscape before taking photographs.

On your walk look for:

* Light (shadows and highlights)

* Shapes (round and angular)

* Color (harmony and discord)

* Texture (rough, smooth)

* Composition (strong and weak)

* Tones (light and dark)

* Patterns (even or odd)

* Mystery (? And?)

So next time you go out with your camera looking for that Vista open hills and mountains, also observe the intimate details in the landscape photography and maybe just a small section of the picture.

Your personality and your vision must go through a photo you take is up to you to capture the essence of the landscape in front of you. If your photo work, the person viewing your image will feel they can go into your image and living the emotion of being there. A great landscape photograph is a great escape.

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Effective Ways To Utilize Flash mode

Have you ever put your flash in manual mode? Have you ever manually turn the flash when taking a photo outdoors during the day? For many, the answer to both questions is "no." For most amateur photographers flash is just a way to take pictures when there is not enough natural light. Although the legitimate use of flash photography there are many more ways to effectively use flash. In this article we will cover different types of flash units available, different scenarios where they can be used, the advantages of using Flash to make better pictures and ordinary people do mistakes in the Use the flash.

As with any technology how it works behind the scenes and what are your options can help to better use to your advantage. Flash photography has been around for over a hundred years. It began with a dangerous place and manual control, a technology that uses a powder that was lit by fire or electricity. These flash solutions were both dangerous and difficult to use because the flash is not automatically synchronized with the shutter of the camera. Flashes use a modern electronic flash tube that is synchronized with the shutter of the camera. By turning the flash of the photographer does not need to worry about synchronization flash drive - the device supports automatically.

There are two types of flash units: Internal and external. The internal flash is built into your camera. It can be controlled through the camera menus. Some cameras low range only allow the use of their integrated unit. Some cameras bottom end and all the cameras high end also allows the setting of an external flash. External flashes are either attached to the body of the device via a dedicated blade in slot or are connected to the device using a cable. They vary in strength - the amount of light they can generate for how long - and the mechanical characteristics - they can be tilted or skewed or are they fixed to the body of the camera. Whatever the connection type external flash units are electronically connected to the camera and are synchronized with the shutter.

When setting your flash unit in automatic mode the camera fires the flash in scenarios where not enough light is available. Many times it will make a misjudgment and either fire or not fire flash when the opposite was needed. Also, in some scenarios the camera will not be able to say that firing the flash will actually lead to a better quality picture. One problem when using a flash picture is washed. When the flash is too strong or the object is too close to the camera, the result is a faded picture there are not enough details and the subject seems to be too white or too bright. Another problem is a picture with too many details: in some scenarios the flash can create shadows and artificial lights which result in a photo that includes details that are exaggerated relative to their appearance in real life. For example when you take a photo of a person aged wrinkles and skin imperfections can look much worse than they really are in real life.

It is important to know the limits of the flash unit. Any flash unit has a certain amount of light that can generate. Usually, this amount can be translated into an effective set to use the flash. Trying to take a photo with the object too far - more than the flash unit is understood - that the object appears dark. When you try to take a photo with the object too close to the camera, the object is too light or too white. It is important to know your flash range and make sure your item is in this range.

If you need to take a photo with your objects out of reach of your flash unit, it is best to completely disable the flash and use a tripod with long exposure. Using the flash in such scenarios can fool the camera by setting a fast shutter speed which results from a dark photo a photo taken without using the flash at all.

In some scenarios the camera will not fire automatically even if the flash using the flash would have resulted in a much better picture. The first scenario is to take a picture during the day when the object is the shadow. For example, if the subject is wearing a hat, the hat can block the light from the face of the object or when the object is illuminated by the side of the nose of the object can block the light creating a shadow . In such scenarios the flash can be set to "fill" mode. The flash will be fired to fill in those shadows, but it will not be fired strong enough to wash out the picture.

Another scenario is when the sun is behind the object. An example is to take a photo on the beach against a sunset. If taken without a fill flash the result will likely be a silhouette of the object. If taken with a fill flash and the object of the range, the result will be a clear picture of the object against a sunset.

In conclusion your flash can be a great tool. Although for many using the flash in automatic mode is sufficient for most discerning photographers who want to produce high quality photos understanding and experimenting with the flash unit can produce excellent results. After a few simple rules to ensure that such objects are in the range of flash and use fill flash when shadows can appear on objects is easy and significantly improves your photos.

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10 tips to take to become a better photographer

Take a good photograph is not as hard as you may think. You do not need the camera most expensive, if not years of experience, just 10 simple tips.

Enjoy!

Tip 1 - Use all the space at your disposal

Do not be afraid to use any space in your photo. If you want to take a picture of something, it's OK for her to take the shot all with little or no background showing. Keep the distractions of your shooting


Tip 2 - study the forms

It is an essential aspect to photography. Understanding forms in your photos. Can not find something, she its shape and form and find the best angle to photograph files. The form is all around us and I strongly suggest you read as many books on it as possible.


Tip 3 - Motion of your photos

Never move your pictures if you photograph a stationary object. If there is anything that moves while you try to photograph a stationery object, your photo does not look nearly as good. Also never put a horizon line in the center of your frame.


Tip 4 - Learn to use contrasting colors.

Some of the best photos have shades of white, gray and black. You can take quality pictures with one color on your subject, but the contrasts between colors in a picture that makes you a great photographer.


Tip 5 - Get Closer to Your Subject

This is one of the biggest mistakes most photographers do not get close enough to their subject. Get up close and personal and the gap distance. You can always rearrange and resize a good shot but you can not continue Blowup a distant object.


Tip 6 - Shutter Lag

Shooting action scenes with digital camera can be difficult due to shutter lag. That means when you press the button to take the picture, it may take up to one second for the shutter to take a picture by this time what you were photographing would have moved or changed somehow. This means that you have to compensate for shutter lag by predicting what will make your subject and take the picture just before it takes the action you want. More expensive digital cameras do not have this problem.


Tip 7 - Pan

If you take an action shot and your shutter speed is slow, pan with the object. Follow through the subject from start to finish and one of these plans will be a winner. You're more likely to get a good shot if you take more than one photo.


Tip 8 - Burst Mode

To crop as I suggested above, you'll need a camera that does continuous shots and does not need to stop and process after every shot.


Tip 9 - How to Take Fantastic Night Time Shots

Night time shots can be spectacular, almost magical .... so well done! Otherwise, they can be horrible. Really horrible. Without adequate lighting, even good camera can be crappy photos if the photographer does not know what he or she does.


Tip 10 - Study your manual

If your camera has a special night mode, read the manual and follow the instructions on how to use it properly.

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Purchasing a Digital Camera

When it comes to buying yourself a digital camera, you should ask yourself a simple question. "What kind of photos I want to take?" Here, photography advice we'll help you. From there, try to imagine the image exactly as you want in your mind, so how you want then tell other views. From then on, clicking it can be easy and all this can be done simply by choosing what you want in the characteristics of a digital camera and the picture you saw in your mind. Buying a digital camera should not be stressful: it should be a straightforward task.

Buying a good digital camera should not cost much money to anyone, even someone starting out in photography. The good thing about digital cameras is that it takes the cost of developing film in a local store and also to the store and back. There is a feeling of gratitude now just looking at the pictures on the viewfinder and they may also be downloaded from your camera to your computer. Almost all digital cameras come with software that can be installed on your PC and this software gives you complete freedom to edit your photos until you are satisfied and happy with them.

Almost all digital cameras come with things like the essential elements of the image storage, a viewfinder and can also take pictures at the time black and white or serpia and others when it comes buying a digital camera, you will find that some extras may be useful for you to make this seem real envisioned on paper or on screen. Most digital cameras come with zoom, a timer and even flash, so choosing these qualities might be right for your ally to take great pictures. One of the impressive features that all digital cameras offer lately these days is a filmmaker or MPEG Maker, that lets you capture a few minutes or hours worth of homemade films and can be combined with an image that you've taken .

Photograpy black and white can make a series of difference to your photos so it would certainly be useful to consider getting a digital camera that can take photos in B & W and serpia.

Buying your digital camera is first step to becoming a better photographer, soon your photography skills will improve and in no time you'll be taking pictures care professional photographers.

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